Going back to our roots to create great works of art

Posted by on Jan 22, 2016 in Art | Comments Off on Going back to our roots to create great works of art

Going back to our roots to create great works of art is actually an essential tool of trade for artists in general and no less so for ceramicists. Being in touch of who you are as an artist and culturally tuned in human being is a continuous source of inspiration and new modeling ideas. As creative people say; the well never runs dry.

And when the urn is dry on a given day, it may well be time for the ceramic artist to begin worrying. Has he lost his creative spark? And does he need a new lease of life to reignite the old flame?

The well never runs dry

This dilemma is an occupational hazard that does at some stage or another in the artists’ lives affect any one of them. But, this does not happen often. Ceramicists, in particular, know what needs to be done next. By nature, they are also entrepreneurs, so standing still for long periods of time is not part of their job description. Arbalist Zone is just one of the many other places that artists like ceramicists find themselves at. In the case of this website, it turns out that the practice of using crossbows is very much part of their cultural landscape.

In fact, we can go as far as to say that it is an important part of their cultural heritage. We have mentioned this before; standing about in wonderment is also not part of the ceramic artist’s workmanlike scheme of doing things. Rather than admiring the ancient hunting tools that their forefathers once used, you can expect them to actually try using the instruments as well. As artists, it’s essential to truly immerse themselves in what they are observing, touching and, in this case, using.

Legends as a source of inspiration

To explain the artist’s involvement, say, getting to the root of whom they are and where they’ve come from, we can also take a different path and describe the process another way. Let’s also use the example of an avid writer, worth the words he puts to paper.

Like ceramic artists, research and story development is an important process for the astute writer. Like ceramicists, the writer will be poring over volumes of other written works as part of his extensive research. And like these pottery experts, you can also expect the writer to actually involve himself in some role-playing to help him get to know his fictional characters.

Finally, we can also make a direct correlation with UK writers and their pottery peers. Their countryside is a rich reservoir of cultural inspiration and fresh ideas.

Let’s close this post inspirationally then. These writers and ceramicists will have thought about this along the way; think about legends such as King Arthur and Robin Hood. And think about how many stories have been written and pots have been crafted bearing the mark of these legends.